scenes The Double Life of Veronique (Poland / France, Krzysztof Kieslowski, 1991, Irène Jacob) reflect a soft light, amber. Reminiscent of old sepia photographs, images, sharp-edged but faded. So impressive, although difficult to place precisely at a time and place.
Indeterminacy the flow of events, a vague feeling that the present and the past are based, the sense of déjà vu, are the feelings that we experience through the experience of the protagonist. He lives in Poland, is a particular student of music, decided to sing even under a heavy rain that scares away the entire choir, or at a hearing that was not to take part. It seems not to understand, Veronica, of being in the wrong time and place.
you hear it, but it is not fully aware, as in the scene where the landscape looks through a small glass sphere surface that can not interact with reality, but reflects it, doubles. She, too, in fact, warns is not unique.
Veronica fact, there is another in France, yet different scenario eerily similar, as the two characters. The second has the passions of the first, and also feels the influence of another life on their own.
His awareness is greater, however: he lives a kind of unconscious anticipation that differs from the Polish sister, feels that he has already lived in another time and another place not too far away.
Without realizing it, she foreshadows the events that you have already experienced from weathering ego strong past experience of his double, wins a degree of control over the unfolding of events, just enough to change the outcome.
A film that disrupts the space-time, an experience of abandonment in the world as possible.
