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THE MORALITY 'OF DOGS: Lars von Trier's Dogville

The vast spaces of the Rocky Mountains, the snow-capped mountains and lakes as smooth as polished slabs, could be a backdrop in which set the sad story of a rural village forties. Yet the scene of
Dogville (Lars von Trier, Denmark 2003), which tells of an imaginary village in the Rockies U.S. consists only of a bare black stage. The characters move on a platform on which they are symbolically painted the walls of the houses, and a light artificial light per day. So essential for a dual purpose: Dogville - a city of dogs - a world that is oppressive, and the modesty reflects the most spectacular squalor of its inhabitants, or the human soul in general, which then focused the attention of the viewer .
The natural rhythm of the company alters the arrival of Dogville A woman (Nicole Kidman) on the run from an arrogant father, who wants his side in the activities of gangsters. Grace, grace , now stands as a purifier of the brutal nature of the villagers. He does it justify the faults of the poor people, while taking away their ability to view, moral intelligence.

The result is a severe criticism of the exaggerated gooders and the presumption that there is hidden. "Dogs can be taught many things" , warns the father of Grace in one of the key dialogues, condemning the paternalism of those exempt from the awareness, but in fact guilty of excluding the possibility of understanding, making for always prisoners of their character. Back to the 'evergreen comparison between the blind rage of the animal, but this time the animals can escape to nature that makes them slaves to a predetermined history and unconscious. Figurative meaning, but from the obvious philosophical implications.

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sold out

day after the screening of "Soland" at Villa St. Ignatius.
great!
the hall was full, mostly full of young people.
received many positive responses, both on film and on the project in general.
I think we can say GOOD!

was a really nice evening ... and ran the images of "Soland" I was really excited, both for the story itself, both for interviews (very moving) and because I relived the moments when the story, these scenes were designed and implemented.

believe that "Soland" really convey strong meanings:

- both emotional involvement, emotion, co-participation in the events told Human
- makes you think that those people who are told they live here in our midst, we are (especially if you live in Trento and recognize some places of his everyday life)
- hits you the depth of the reflections and the '
intensity of the emotions of the respondents - the very idea that these people are not only "victims" or "in need of assistance," but the principal actors and bearers of ideas, stories, experience and expertise is a revelation for many

.... and many other senses and emotions that I invite you to add!

hours let's enjoy some fruits of our long and intense work, expect them to be ready copies of the DVD and look for other opportunities let us know and make known "Soland," he deserves it, and we deserve it.

hoping to embrace everyone together soon!

happy days

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"Soland. magis / more / plus / more

... then! My dear Dec. 11 is coming!
meanwhile point out that on the South yesterday (Friday 5 / 12) there was talk of us in an insert event dedicated to being there - Rights. At the end of this large space to the screening of Soland "on Thursday evening.

also anticipates that you should speak to us again next Wednesday on the Trentino and the Tyrol again on Thursday.

... for those who come and visit us to learn more on "Soland and is deciding whether to come or not Thursday night (we know, Villa St. Ignatius is a bit awkward, we know it is a cold mouth, we know there down the ice that threatens to slide back to the city style without guide, we know on Friday morning he goes to work BUT! COME FROM! want to put the joy of challenge and defeat this ???), we say

For your self-esteem: Thursday 11 to come see and hear "Soland!

Director Hugo Munoz and young people who conceived the film will be present to talk about the thrill of a journey and the magic of an encounter. Also an opportunity to intrude into the "behind the scenes, as well as to keep us updated on the Law was a hard-recognized: the Asylum.

But what is "Soland? The following press release presenting the film and the path that led to its creation:

Young and refugees compared with the association "Centro Astalli Trento

It 's the result of over a year of work and seen working alongside young Italians, young refugees, volunteers in community service, filmmakers, sound engineers e. .. truck drivers, bus drivers, university students, musicians, educators, photographers and so on and so forth. All with one goal: to know first, and be known through language video.
The result is called "Soland" and is made possible thanks to financial support the Councillor for Education and Youth Policy of the Province of Trento, via the notice "Laboratories of youthful creativity" of Cassa Rurale di Aldershot and Cadine and the Foundation Center Astalli of Rome, as well as in partnership with Barycentro, Coop, Villa S. Ignazio and cultural association Bruno Muñoz. All this is good to say, designed by young people themselves at Villa St. Ignatius for the first time they came into contact with the world of political asylum, with the careful supervision of technical and artistic Hugo Roberto Muñoz and Gisella Marafante.
The story, no return, the journey of a young man came to Italy to seek asylum. The screen will scroll images of loneliness and meetings, interviews, talks, reflections and, of course, real and metaphorical journeys. Behind, or if you prefer to face the screen, will be the same young people who have made the film to convey the emotional storytelling and a year of work, demonstrating how the work itself beyond the main product of the path is precisely the " magic "of the meeting and knowledge.