Zack Cody Jordin Sparks Song

What a beautiful sky boys,

you have created, and we

contributed

fortunately we are contributing, the project

"young creatives"

with all the people

their stories, their pictures

and their cultures.

is a blue,

like the sea,

is beautiful like a beautiful book,

just begun. An image

by will, solidarity

, availability,

not found everywhere, particularly

patience. Next

so guys,

between

a moment we will have the beauty,

consciousness

that he wrote some beautiful pages,

in our lives,

a piece of history.

An old

Garip

Naseptin Nasal Cream Price

ROOM 2 / GIULIO Delve March 30 to April 7

30 MARZO – 7 APRILE

GIULIO DELVÈ

OPENING DOMENICA 30 MARZO ORE 18.00

series "Tumbleweed" (a term used in military radio communications to deliver the request for information if you give a little awareness of the situation), which is the first mature work of Giulio Delvè , is developed on the basis of a general interest for mechanics, for the cool devices, mechanisms to be studied and replicated, assembled by himself, which relies, in some cases, the artificial propagation of movements and elementary sounds that he is not capable of making naturally. Giulio Delvè the "machine" have analog soul, simple and complex at. The need therefore to understand, to respond to the destructive power of high technology eva ta to its extreme potency is expressed in a straightforward manner: those that should be efficient means of war, become embalmed silhouettes, immobilized by a simple lint that prevents them from moving and bandages memory. The video - Untitled ( Tumbleweed series), 2007 - exposes the impotence, the folly of technology at the service of war, repeated the lament of a maniac embroiled in a straitjacket.

The text Flora Visca, accompanying the exhibition, analyzes what might be termed the mental state of man after the advent of powerful technology. An analysis in the first person of the ethical implications of "machine" and its unfair use.

NO SHADOW MY of FLORA VISCA

Tumbleweed is the echo of a voice I hear inside me, a silent cry out not only by men but also from other living beings from inanimate elements, the nature of humanity.

From the bottom of the third millennium comes the deafening noise of an engine, a loud noise that blunts my mind ... the "machine" takes the headway to leave, but was almost immediately stopped by an obstacle that lies behind the camera and who, by virtue of this position, as if bearing witness to the impossibility that is the source of the mechanical device.

The machine will "persist" in the recurrence of the same operation.

I look around, my eyes trying to understand who triggered the car, but I do not see my other shadow. L 'idea that there is no controlling that device strikes me some anxiety because I suddenly feel that the car in which I should spot a trace of humanity, in fact, is completely alien to me.

I have the urge to escape, get away, break free ... but its pathology ves you, now, even me.

The beat of my heart begins to accelerate, fueled by fear, the idea that in front of me there is something you can not hear that beat, that does not know that I exist, do not even know that it itself exists.

I immediately comes to mind that a machine is not self-conscious and therefore can not self-government, is not capable of thinking, feeling and process my own emotions. It is an ambivalent feeling what I feel, the instinct is to flee, the need is, however, remain.

In any case I feel I can not escape the grip of the big auto blindfolded because it is present, under different guises in every aspect of life in the world is on the fields of war in the streets, in the workspaces in my home, on my desk, in pockets of my ves titi, is on the tv screen, including children's games. Is on the body and body, and its presence invasive and all a devaluation of life itself: it comes in and holds it, the harnesses, paralyzes it, edit it, and forces it to change its habits.

But life is not only crushed by the machine, there by man, a particular type of machine that can even destroy the life: the war machine, the most hideous inventions human symbol of despicable ambition, still alive in the minds of contemporary men.

When I was a child I thought that the war was one thing away from me in both time and space. I had the naive belief that it was something that went from studying it in books for this reason. Growing up I had also learned the bitter truth that, in reality, war is present, even when it is absent, no matter where he plays a war, how far it is from me, because I feel, I feel its injustice.

War do not understand, although I explain, I do not understand.

makes me want to ves tire again my clothes as a child to give birth to a dream, perhaps through one of those countless drawings I did as a child. Draw a huge war machine, wrapped in so many strings and they would keep close to wake up.

VERSIONE ITALIANA

30 MARCH - 7 APRIL

GIULIO Delve

OPENING SUNDAY 30 MARCH 6:00 pm

The "Tumbleweed" series (tumbleweed is a term used in military radio communications to request information about an on-going situation) is the first mature work by Giulio Delvè . It draws on the artist’s interest for mechanics, complex devices, mechanisms to be studied and replicated, that he assembles himself and that he sometimes uses to artificially reproduce elementary movements and sounds that he is not capable of making naturally. For Giulio Delvè the “machine” has still got an analogical soul, simple and complex at the same time. Therefore the need to understand, to react to the destructive power of high technology is expressed in a straightforward manner: powerful war equipment become embalmed silhouettes, immobilized by a simple gauze that prevents them from moving and bandages their memory. The video – Untitled ( Tumbleweed series ), 2007 – reveals the powerlessness, the foolishness of technique at the service of war; the repetitive groan of a maniac bridled in a strait jacket.

The text written by Flora Visca for the exhibition analyses what could be defined as the man’s state of mind after the appearance of the powerful technology. A first-person analysis of the ethical implications of “machine” and its iniquitous use.

NO SHADOW BUT MINE by FLORA VISCA

Tumbleweed is the echo of a voice that I hear inside of me, a silent cry let out not only by men, but also by other living beings, by inanimate elements, by the very nature of humanity.

From the bottom of the third millennium there comes the deafening noise of an engine, a strong noise that blunts my mind....the “car” gathers way to start, but it is almost immediately stopped by an obstacle that is located just behind the car itself and that becomes, for the position it occupies, the witness of the impossibility that lies at the origin of the mechanical device.

The car reiterates the same operation over and over again with obstinacy.

I look around, my eyes trying to understand who started the car, but I see no other shadow but mine. The idea that nobody is controlling that device gi ves me anguish because I suddenly feel that the car, in which I should spot some trace of humanity, is instead completely alien to me.

I impulsively want to run away, go far, free myself.... but I am affected by the same pathology of the car by now.

My heart starts to beat faster because I am scared, because of the idea that in front of me there is something that cannot hear that beat, that doesn’t know I exist, doesn’t even know it itself exists.

It suddenly comes to my mind that cars are not self-conscious, and as a consequence

they can’t drive themsel ves ; they cannot think, nor feel the emotions I feel. I have mixed feelings...on one side I want to run away, on the other I feel the need to stay.

In any case I feel I can’t escape the grip of the big blindfold automaton because it is present, under different guises, in every aspect of life: on the war fields, on the city streets, in the workspaces, in my home, on my desk, in the pockets of my clothes, on the tv screen, in children’s games. It is on the body and inside the body; its invasive and all-absorbing presence debases life: it penetrates it and holds it, it bridles it, paralyzes it, modifies it, and forces it to change its habits.

But machines do not just crush life; man, in fact has created a particular type of machine that can even destroy life: the war machine, the most hideous of human inventions, the symbol of a despicable ambition, still alive in the heart of the contemporary man.

When I was a child I thought that war was something far from me both in time and space; I naively believed it was something that belonged to the past and in fact you study it at school. Growing up I had to face the bitter truth that war is present also where it is not present; no matter where a war is taking place, or how far it is from where I am, I still feel it, I feel its injustice.

I do not understand war, even if they explain it to me, I just do not understand it.

It makes me want to go back to when I was a child, and bring a dream to life, maybe through one of many drawings I used to make at that time. I would draw a huge war machine, wrapped in a lot of laces, and I would hold tight until I wake up Them.

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ROOM 1 / LUCA MATTEI - CARLOTTA SENNA March 16 to 24


March 16 to 24

Luca Mattei / Carlotta Senna

OPENING HOURS Sunday, March 16 18:00

artistic research Luca Mattei and Carlotta Senna done separately, but sometimes follows a common route, as in this case, leads to devote their attention to a really secluded, isolated, a world circumscribed by its rules and its laws. Installation - Untitled, 2008 - is a work whose point of departure, especially intellectual, is photography. The photography as a tool of the attitude and narrative, as well as video, other form of storytelling that often occurs in the work of two artists. Speaking of the carrier pigeon, where he lives, from where, contains in itself infinite possibilities of interpretation, metaphor, other possible scenarios. An analysis of delicate yet intense that it seems to describe the personal story of individual characters, giving each of them to be unique for once, to stand out from the crowd.

This the starting point from which it took the form of text Marina Vagnoni , Every time I come , that accompanies the exhibition. The young student of philosophy allows us to imagine a world of complex relationships, comparable to that of humans that took the life of the cells in the small space of a pigeon loft on the roof of a metropolis.

every time I come to MARINA Vagner

Every time I go back and see from afar that roof full of holes coming up, I have the feeling of entering into an embroidery. I'm coming in there and breath odors.

Others are waiting for me: I have already seen for some time, and revived trumpeting the news of my coming.

Or I would not expect: Someone has occupied my corner, and I have to wander for a while 'begging for asylum, until one moved to pity you decide to place me next to him.

course we are just so many! But so many really. Sometimes it seems that the earth moves for trampling of our feet. Sometimes I almost dread to see a form similar to mine, too similar, as you saw me in a mirror.

The last time I really wanted to leave: it was rarely at home was an atmosphere so relaxed, warm . It will be that many people were on the road, and there was so much space. It hummed old verse from obscure phrases: heaven being closed, and embroidery paintings, warm, cold.

I picked flowers to be placed in a tiny corner of my cubicle, and other little things for those who are so gracious to show me the spot, later, in the case should not there be more for me.

fill my eyes of pictures and I soak smells, as gifts to those who have waited.

I was thinking how could the sky really close. That somewhere could come out of a cloth, and cover everything? What can fill the hole so as to prevent me to get out again?

That might not be so bad to spend all the rest of the time to sing, taunt each other, sleep, enjoy, get bored, without the hassle of having to collect rags from time to time and leave.

never to leave the den, its warm welcoming ...

strange figure. I had never thought of. Tempting, though.

sleep, and then sleep ...

What stupid thoughts. Who would ever big enough to fill the sky with a sheet? You can close all the holes in my roof embroidered? Perhaps he, the Great, who gives all and takes away everything? He could, yes. And I would, too.

This morning's sun is a joy. I would only get to confess my love.

But while it makes you burn it, and touch you and you and warms you mixes, he slowly becomes like fire burning, and it seems that you roast, which should be reinforced of your ashes.

And some say that the grid is the natural destiny of us all. Is it true? Well ... Will it hurt? Who knows ...

If I think of all the distance that now separates me from home. The immense effort that I have to do to endowed her. The exhaustion of the whole body when the destination is near, but not enough yet to see it, and it is only a hint.

When you start calling from far away, the wind that flows on me gives me momentum instead of brake and air

different, unknown smells, the sounds varied and mysterious that arrive every so do not give the same fascination before. Strangers and feel just fine, but not for long.

However, I know that the effort I do I feel everything, and I pay everything, just when I begin to feel the air of the house.

And I will pay even more expensive if not free, I find my corner.

And if anyone wants me to post more, then yes it will be tough ...

It occurs to me that if I return to my hole, he shall go no more.

Maybe that's what I want, too.

I have such a desire to sleep ...

I have such a desire to reach, that even if the condition was that I would not hesitate to accept, now that I am afraid that the air is not enough to sustain me until the end, I have no doubt.

And though it seems a nonsense, I do not know if I see a painting or embroidery.

Voices.

VERSIONE ITALIANA

16-24 MARCH

Luca Matteo / CARLOTTA SENNATO

OPENING SUNDAY 16th of MARCH 6.00 p.m.

Luca Mattei and Carlotta Sennato developed their artistic research separately. Sometimes, though, a common thread is found, which pushes towards focusing on secluded, isolated reality, like a sealed-off world with its rules and laws. The installation – Untitled, 2008 – is a work whose starting point is photography. Photography as an aptitude and a tool at the service of narration. Narrating about homing pigeons - where they live, where they depart from, lends itself to countless interpretations, metaphors, and other possible scenarios. A deep but delicate analysis that seems to trace the personal history of the main characters, offering them the chance to be unique for once and to stand out of the crowd.

This is the starting point for Marina Vagnoni’s text, Everytime I come back, which presents exhibition. This young philosophy senior year student helps us to imagine a world of complex relationships, similar to the human's: A World That comes to life in a small house-Pidgeon cells'space Placed on an urban terrace.

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FOUR ROOMS 16 March to 5 May 2008

Four rooms is a unique project curatorial Gigiotto Del Vecchio and Stefania Palumbo which is divided into four exhibitions in which unpublished five artists - Luca Mattei, Carlotta Seine, Giulio Delvè, Corrado Folinea and Celesta Bufano - have the opportunity for ten days to present in the project room of the museum Mother. A group show of four times which gives the opportunity for young artists from Naples to present their research in a public context and to meet with the museum experience. A study in the area that attempts to outline the new possibilities that contemporary art has to tell through the poetics of the different artists and art that attempts to open itself to new interpretations.

The four exhibitions are supported by four texts written by Marina Vagnoni , Flora Visca, Christian Coach and Fortuna Del Priest , students Faculty of Humanities of the University of Naples "L'Orientale", chosen by Professor Ross Bonito Oliva, who was asked to confront the experience of the individual artists and to develop their own vision about it, representing a new and original point of view, the opportunity to compare and bring together two different cultural languages.

VERSIONE ITALIANA

FOUR ROOMS

Curated by Gigiotto Del Vecchio and Stefania Palumbo

Four rooms curatorship is a project by Gigiotto Del Vecchio and Stefania Palumbo Organized into four exhibitions In Which five unestablished artists - Luca Mattei, Carlotta Seine, Giulio Delvè, Corrado Folinea Bufano and Celesta - Have the opportunity to display works for Their ten days in the project room of the Mother Museum . It is a group show in four stages in Which young Neapolitan artists can present their research in a public context and at the same time be confronted with the experience of exposing in a museum. The project also aims at assessing the contribution of different artists’ poetics to contemporary art, as well as opening art to new interpretations. The exhibitions will be accompanied by four texts, written by Marina Vagnoni, Flora Visca, Christian Carrozza e Fortuna Del Prete , students at the University of Naples “L’Orientale” . The students, selected by professor Rossella Bonito Oliva , were asked to look into the works of the five artists and to Provide Their opinion about Them, with the result of HAVING fresh points of view on one hand, and on the other The Possibility to make a parallel Such Between Two different cultural languages.

Calendar FOUR ROOMS

16 - 24/03 2008 Luca Mattei / Carlotta Senna

with text Marina Vagnoni

30/03 - 7 / 04 2008 Giulio Delvè

with text Flora Visca

13 - 04/21 2008 Corrado Folinea

with text Christian Coach

27 / 04 - 5 / 05 2008 Celesta Bufano

with text Fortuna Del Prete

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N. EST 2.0 The making of the city / town Design your own - The second draft of the Project Room MOTHER

As of January 13, 2007 Mother the hosts in the Project Room No. EST with N. EST 2.0 The making of the city \u200b\u200b- Design your own city , the second project by Gigiotto Del Vecchio and Stefania Palumbo , that aims to document the urban transformation through art, creativity and new media.

from January 13 to February 25, 2008 space located in the courtyard of the museum will be occupied for seven weeks by N. EST a ' work in the form of on-line database edited and directed by Danilo Capasso and John Ferrarelli with Massimiliano Rianna and Diana Brown , which takes its name from east of Naples under his care since 2004 . The project has the objective of recording the transformations and drafting proposals for urban regeneration through the eyes and the reflection of artists architects and artists of every nationality , called on to devise site-specific works and projects through a map of the places to which they relate or from which they draw.

Freely accessible online at www.napoliest.it , N. EST dig into the folds of the representation of a real territory, the eastern outskirts of Naples, with the goal of making it a project shared with other artists, architects, planners, citizens and stakeholders.

At N. EST 2.0 - Design your own city , understood as a real collective performance and design, the spaces in the Project Room will be equipped like a real studio and half will be of workshops and weekly meetings . N. EST 2.0 is divided into three parts, all equally important and aim to become intimate with the land the subject of the artwork and design dimension that animates him in real life: Work / designs, Walk / part, Talk / documents.

The project room, the heart of Work, and its outdoor spaces are configured as a studio / workshop and display content always on and always different. Project members will use day by day for the organization and conduct of the activities planned during the opening hours of the museum, including three weekly workshops are open to public participation on presentation and reservation of a draft (Wednesday, Thursday, Friday 14/20, callx@napoliest.it ).

Walk is a series of five guided tours is organized and conducted by artists in the area between N. EST Gianturco, Barra, San Giovanni, Ponticelli. With a route selected and annotated by the artists, introduced in Italian and English, Walk wants to create, along with the audience, a mythology of the eastern area.

Mother Tours depart from the museum every Saturday from 19 January at 12:00 with a bus CitySightseeing. To book write to walk@napoliest.org .

Talk , 6 conference Sunday of deepening, with important international guests who will travel to Naples to study its east, in order to return one or more design concepts and share with the public the activities in European cities to which they belong. On January 20 a leading independent Italian curator of public art, Bartholomew Pietromarchi , compared with Tobias Zielony , German artist and photographer, on the border places and urban aesthetics in relation to the portrait. On 27 January, the international collective Inward , animated by the Association bell Arteteca , will take care of urban cultures in East Naples (and will hold a special workshop, Writing N. EST within the project room a few days earlier). On February 3 two architects and contractors, Federico de Giuli (Turin) and Mariano Pichler (Milan), compared with East Naples from clustering, location-cultural project of De Giuli (one of the founders of Cliostraat), and Ventura Street to the east or the new Milan to Chelsea O ves t (under construction in Via Farini). On February 10 the German curator Mjriam Strupperk and media Berlin architect Realities United import the practice of urban screens and media facades. On February 17 , two of the most important magazines worldwide architecture, art and interior - the Italian and Dutch Domus Volume - face and get to know , for the first time, an editorial meeting shared : Napoli star, the directors present ( Flavio Albanian and Lilet Breddels ), the Dutch publisher and editors Archis Christian Ernsten and Massimiliano Marchica . The last talk hosts Coloco , members of the collective French landscape Exyzt , the star of an unusual exhibition at the French pavilion at the last Biennale of Architecture (Venice): will focus on using creative urban voids.

You can join the project by answering the call for entries or subscribing to various workshops

visiting www.napoliest.it or by writing directly to callx@napoliest.it .

No EST - In its four years of operation, no EST participated in exhibitions and international events, such as the Venice Biennale (Contemporary Directions, 2004, Raid Vesuvius Group exhibition, curated Del Vecchio) (Florence, 2005). He participated in the Festival (Florence 2007), supported by Tuscany Region, where he performed a preview of the new section, N. extubation. He participated the Annals of Architecture, in " 20.07 in Forum Versus" on display at Palazzo Reale in Naples.

Among the awards, Palimpsest Italy (Bologna, 2005), and consequently a guest at COM.PA 2006 (Rome) with a booth (National Exhibition dedicated to the communication of Public Administration). No EST was also a finalist in the eighth edition of the Festival International Videopolis with the documentary " 24 to East Naples.

No EST has participated in various industry conferences (Media and Urban Space, Universitaat Bauhaus, Weimar, Germany, November, 2006, University of Architecture in Naples, the National Day of the National Institute of Urbanisitica 2005 and 2006) or live media event (like the last Dancing with Domus, invited by the prestigious magazine Domus at the launch of the new editorial line in May 2007). Articles have been published on Cluster, Il Sole 24 Ore / Nova, Raitv and Radio.

VERSIONE ITALIANA

Starting January 13, 2007 MOTHER is hosting the N. EST with N. EST 2.0 The making of the city - Design your own city in the ITS Project Room. This is a project Whose Objective is to document urban transformations through art, creativity and the new media, curated by Gigiotto Del Vecchio and Stefania Palumbo .

From January 13 to February 25, 2008, the space located in the museum’s inner courtyard will be occupied for seven weeks by N.EST, a work in the form of an online database edited and directed by Danilo Capasso and Giovanni Ferrarelli with Massimiliano Rianna and Diana Marrone , which takes its name from the Eastern Zone of Naples which it has been actively dealing with since 2004. The project has the objective of recording the transformations and drafting proposals for urban regeneration through the eyes and observations of artists, architects and creati ves of all nationalities , called on to devise works and site specific projects through a map of the places which they refer to or from which they derive inspiration.

Freely accessible online at the address www.napoliest.it , N.EST del ves into the recesses of the representation of a real territory, the eastern periphery of Naples , with the aim of rendering it a project scheme shared with other artists, architects, urban planners, citizens and stakeholder.

On the occasion of N.EST 2.0 – Design Your City , understood as a true collective and projectual performance , the spaces of the Project Room will be equipped as a true studio/workshop, always active for the presentation of contents.

The members of the project will use it day by day for the organization and performance of the planned activities during the museum’s opening hours. It is a simple and convivial space, where project and its objecti ves can be related to the public of observers and active participants, who will be able to stop and compare their ideas with those of the artists or to be in their turn the source of ideas for them.

On Wednesday, Thursday and Friday, from 2.00pm to 8.00pm starting from the first week and for the whole duration of the exhibition, within the Project Room, together with the artists who are the authors of N.EST, a chosen public of 8 people will be able to participate in the workshops www.napoliest.it presented in its new version together with N.EST TV on the occasion of the exhibition at the MADRE. on the production of works and site specific projects which will be published on the database and visible both inside the museum and outside it on the website

To participate in the workshops it will be necessary to reply to the public call for entries, using the application form published on www.napoliest.it , which should be forwarded to callx@napoliest.it .

Those who do not wish to take part in the workshops but desire to insert their works and projects, may forward them in read-only format during the exhibition. The continuous assembly and editing of materials for the database will be curated directly by the N.EST artists.
The works of artists and architects will be extended to the territory which is the object of the work, namely Gianturco, Barra, Ponticelli and San Giovanni a Peduccio , through guided tours CitySightSeeing buses every Saturday starting from January 19, leaving at 12.00am from the MADRE. Seats can be booked at walk@napoliest.org . organized by

In addition, starting from 20 January , every Sunday during the duration of the project, lectures and meetings to explore the relevant topics will be organized with internationally known guest speakers, from the French Exyzt Collective to the architectural reviews Volume Magazine and Domus , the entrepreneurs and collectors Mariano Pichler and Federico De Giuli (responsible for the regeneration of Eastern Milan and Turin), and the INWARD observatory, to mention only a few. They will all visit Naples to study its EASTERN SECTOR, and will present one or more project visions of it and will share with the public the activities carried out in the cities they represent. The talks will be Held in the church of Donnaregina From The 6.00pm to 8.00pm.

No EST - In Its four years of activity, no EST has taken part in exhibitions and events of International Importance, Such as the Venice Biennale ( contemporary sense, 2004, the collective exhibition Raid Vesuviana, curated by Gigiotto Del Vecchio), Factory Europe (Florence, 2005). It participated in the Festival of Creativity (Florence 2007), supported by the Tuscan Regional Authority, where, it premiered the new N. Estubo section. It participated in the Annali dell'Architettura, in the section " 20.07 in Forum Versus" on display at the Royal Palace in Naples .
Awards received include Palinsesto Italia ( Bologna , 2005); was consequently a guest at the COM.PA 2006 ( Rome ) with a dedicated stand (National Fair devoted to the communication of the Public Administration). N.EST was also a finalist in the eighth edition of the Festival Internazionale Videopolis with the documentary "24 to East Naples"
N. EST has participated in the conferences at Various sector (Media and Urban Space, Universitaat Bauhaus, Weimar, Germany, November, 2006, University of Architecture in Naples, the National Day of National Urbanisitica 2005 and 2006 ) and live media events (Such as The Most recent Dancing with Domus, as a guest of the prestigious Domus and reviews on the occasion of the presentation of ITS new line of publications in May 2007).
Articles Have Been Published in Cluster, Il Sole 24 Ore / Nova, Raitv and Radio.

How To Get Visa On Arrival Message

Marinella Senatore opened the programming of the Project Room MOTHER


Starting from tomorrow, August 3, 2007, and for the entire month of August, some Museum sites become a real movie set . The film Marinella Senatore will be the first appointment of the new project room , edited by Gigiotto Del Vecchio and Stefania Palumbo. The Museo Madre, in the guise of open and continuous laboratory, will offer visitors the chance to come into direct contact with the pre-production and film production.

artistic experimentation of Marinella Senatore is also developed through the involvement of non-professionals , expertly led by a team of experts, to which she assigns, from time to time, the reins of the narrative for a piece of script deliberately left open.

All this comes not only from the desire to make use of the spontaneous and innate creativity of people they can participate, but mainly on the precise intention of giving life to that circulation of ideas and energy that the artist channels in a 'something ' that speaks for itself, which announced before the written word.

It makes you feel so a very special relationship, very intimate relationship between the director, the actors and the audience itself, in a sort of revival continues merging the individual and collective memory.

Your message has been fully accepted by the Neapolitan many who have come forward to casting in recent days: about a thousand, including phone calls, e-mail and contacts for the hearings, some fifty young people who have application to join the technical department, about 300 aspiring actors and extras who have hitherto supported the specimens.

Among these, some dancers, professional and amateur, have demonstrated their capacity in view of the choreography scheduled for late August in Piazza del Plebiscito, one of the places chosen for the remotes, where more than 40 dancers will move to the tune of music composed for the text of Senator musicians Toller Luca and Ivan Dalia.

Implementation of scenes, directed by Professor Antonio Di Ronza, and costume choices, also represent an important opportunity for students Accademia di Belle Arti di Napoli , which, coordinated by Professor Adrian de Manes, their experience on the field skills. The young trainees from the many Neapolitan art centers will be monitored personally by the Senator on the film set, in a workshop-school for all purposes, which finds its fulcrum in the Madre Museum for the occasion-manufacturer.

Marinella Senatore (Cava de 'Tirreni, 1977) graduated at the Accademia di Belle Arti in Naples, he then attended the Centro Sperimentale di Cinema in Rome and now lives and works in Spain, where he teaches screenwriting and video at the University of Cuenca. His artistic training and his experiences are placed in an area intermediate halfway between visual art and cinema. Through video, photography, installations and drawings, the artist reassembles fragments of personal memory stories made of building details, location, intimate atmosphere of strong emotional intensity .

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lunedì17marzo -

we are the third of appointments for a weekend "fire." de fuego. of fire.

Ambrose is our angel who has been with us Esoj, the friend of Angola that will be the star of the second story that we put in his pocket. The crew is from the classic interview: Fabio, Gisella, Hugo.

the setting is a bit complicated, but because it is already late afternoon, the sky is gray and the light coming through the window while the great hall where the student lives Esoj is pale and shaking our sports director, but responds with a thermal envelope of respect: lighthouse, color filters, large and small panels. in short, a small television studio is recreated in a moment (a moment while !?!?!?), Esoj "spontaneously" go to shave and to recover a wardrobe of three or four items including Hugo can choose the color scheme more satisfactory.

our interview is interwoven with the daily life of students, and the poor unfortunates who are in the common room are "cordially invited" to stay quiet, to have a snack or dinner respecting our work. someone is loyal, some not. However the environment is stimulating, and collect fragments of life meaningful, exciting, and often far from our habits, our styles. everything is very enriching for all, we hope even for those who see the video!

war stories and acceptance, difficulties and successes, opportunities and frustrations. applications Ambrose accompany and enhance the story, our sound engineer picks up even the slightest rustle ... has already become a pro!

Esoj while talking and the camera records the darkness falls around us. it's time to say goodbye, and go back to town. Also today, the feeling is to leave more affluent and the head spins thinking about the best way to make the video all these visual and audio input.

who knows! the adventure continues. the next one!

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sabato15marzo second interview - first take!

Well, since today is the birthday of Gisella take this opportunity to start making them a lot of wishes for a happy birthday!

And then, for those who were not there, I tell you just just a week ago, on 15, we were to start shooting the drama. The appointment was for nine station: of course I got a bit 'late, but fortunately there was James F. ... we waited, which rose to greet but could not come because he had a job interview. Let's hope it went well! After greeting him, with James and S. We left for Cadine, where we expect Ambrose, Gisella, Hugo, Mark, Q. The merry gang was then divided: some have gone directly to Rovereto to see the place of the shooting and others to buy groceries for a lavish lunch and go take Thierry Arco.
Predictably we started shooting with a little 'late. But then recover it all, so much delay! Thierry and Hugo, in fact, the directors are shown irrepressible and indefatigable.
has continued to work until five - six, with only a brief lunch: sandwiches with cheese, mortadella, cured smoked horse. And fruit juice, water, and apples. Too bad there was not a bar for the coffee!
And after the little break ... take, turn, again. E new on and off the truck, filming inside and out, and reverse the field, not to mention the scene of the flight ... of course we have a player of great class! Enough to call it, every so often, Leonardo (DiCaprio implied). Even
Trock (you write that?), The young company that helped us was really good: mechanical, but the driver improvised play in the car: you could not ask for more.
And now a small but well-deserved break: tomorrow is Easter, the forthcoming filming of the drama will be Saturday, March 29, with the famous (perhaps infamous would I write?) Scene of the bus. All looking for extras!

9lla

Where Can I Buy Bmx Cakes

giovedì13marzo - first interview

pumfete!

recover back activities and adventures ...

first take first interview since Darfur is the first story that we collect.

Fabio, Gisella, Hugo and Ludba. this team.

the train station is the ideal place to meet, a sun bath, a coffee bar, is a bit of time no see ... looking for a comfortable train crews for our interview.

are on the line Trento - Malé. The "crew" of the railway is extremely available, and we reserve an entire carriage of the train 11! do some filming at the station, waiting for the train. There is a clear light that plays to hide behind the columns and then to bounce back alive. Ludba resume as he walks, while stamping the ticket (4 times ... the controller will take us for fools ...), while climbing on the train. The camera is a different eye, a look at the world, an excuse to look deeper.

train travel is a luxury coach for a full resume as you like. the only problem is the sound: the train is very romantic but a bit noisy, and we can not do the interview board. So

Hugo indulges in various shots, while in the background taking Ludba scroll through different landscapes: meadows, mountains, lakes, dams, other trains, tracks ...

we want in the editing overlay these images to the words of Ludba, hoping it could give the idea of \u200b\u200btravel, of movement.

when we get to Cles is now noon. we find a tunnel that fascinates notri directors. so Ludba was "forced" to walk a few times back and forth while the camera rotates, the film, is the setting appropriate to capture the contrast between the dark tunnel and the gleam of light at the end.

finally found a little park a little quiet to do the interview. Ludba talks about many things, of his journey, the one who left and what he found.

we only have time for a lunch break before flying back on a train that takes us back to Trento. that we get now are the 5. 7 hours have passed since we met in the morning, the video-maker is a tiring job! and we thought everything was rosy! you work hard!

the day is not over .... we have yet to make contact with Ambrose for the interview to his (and our) friend ... but that's another story ... and tell us the one a little. .

Black Widow Bite Bowling Ball Sale

welcome asylum creative

open a window on the web too ... why not?

one more chance to communicate among ourselves and to communicate to the world, to keep up with footage, interviews, gatherings, appointments, escapades.

for those who do not know us, we are a group of young and old, experts and less experienced travelers and fewer travelers, Europe, Asia, Africa, South America and we are making a video.

we started in December and we had a series of meetings to know better, to approach the issue of political asylum, the theme of departure of the video, and technology and the audiovisual language. we have been working on a story, screenplay, production, trying to keep us awake and creative, to listen to everyone, to accept the ideas shared, not to mention the time available to us a little tyrant.

now we're ready to shoot. now work in the field, looking for the sweetest balance between planning and improvisation.

this space we also need to keep up and not be overwhelmed at this stage, highly active, with little time to coordinate.

then welcome to everyone who is walking with the group and those who want to follow us from outside. who knows us and who listens to us by chance.

welcome, brothers and sisters, welcome to asylum creative.

1080p Upconverting Receivers

Interview with Giuseppe review

Brief review of "FLOWERS AND LIGHTNING" by Cristina Giovanna Bove of Giordani

I had wanted this book of poems by Cristina Bove. I had wanted because I knew it was an act of justice. Poetry to and from the poet. I met her on the blue pages of the site "poet" and when I read his commentary on the works of various authors "... thanks for not choosing the silence" I was immediately captured. This meant a willingness to listen, to share. The soul that had to be sensitive and rich humanity of the true poet. And in fact I was not wrong. His poems as you enter the soul a ray of light in the darkness, you hear the magic spring as the source freed from the turf, like the flower that is born on the rock.
she perceives a culture, but understand that he does not want to show off but a gift to communicate, share, share in the mystery that is humanity.
And so the beautiful "poet to whom?" No arrogance and haughtiness in the world of poetry, but only humility. How can we not love her!
"EACH", "Each / s to the burning of her crying / because / the heart breaks / your pain ... .."
Cristina's poems are tinged with heartfelt attempts to answer questions that evoke the word where you can feel the breath of hope and salvation, and that the word "love." And here is "THE ROCK" great, grand ... ".. prayed to his god / because he had been / infinite expansion / eternity / and God / made him / love."
We know that a bunch of flowers there are some who instinctively prefer, and then I choose "I LOVE THE VOICES ...." I love the gentle and persuasive voice / that can drive / but is not intrusive / which expresses the sense of the divine / human ... do not forget that. "And then
"The man who went '" "The man who went / away / the silence / of petrified sphinx / a try his god ... "
A music of words that fascinates and captures the reader. So is the poetry of Christina Bove.
"FLOWERS AND LIGHTNING. Sure. Among the latter there may be "God." Here, I read that up there because I find myself in agreement with what the poet says. Questions like lightning illuminating the sky and disappear, with human responses that do not convince us .... ".. I just hell / of this our life / in which we are forced to invent / Judgement / tell and / havens unnecessary / will not hate you or God. "
The collection is heterogeneous, flowers rich in meaning of words and music, as lightning flashes, hunches, condemnation of the injustice and lies "new Pharaoh" .. "You smile passed off / ship / carrying death / sell havens / blinded to the innocent / and killed / twisted by flattery."
... For those who love poetry, read Cristina Bove, will be a feast for the heart and mind. I can only strongly recommend ...!

Giovanna Giordani